Photo Geek Weekly Episode 195 – Subjective Reality

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Photo Geek Weekly
Photo Geek Weekly
Photo Geek Weekly Episode 195 - Subjective Reality
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On this episode of Photo Geek Weekly, Allan Attridge joins the conversation to discuss the history and modern impact of image manipulation and how optics can make or break an image concept. We’ll also dive into a scandal with Hasselblad and Pictureline, and another one with Maclean’s Magazine – the former with gear, the latter with copyright. It’s also great just to generally catch up with Allan ever since the Two Hosers Photo Show is off the airwaves.

Story 1: 113 Years Ago, the US Tried to Outlaw Fake Photographs (via PetaPixel)

Story 2: We Applaud the Effort but the 7Artisans Floral Bloom Lens Is Awful (via PetaPixel)
Related: This Photographer Found a Beautiful Vintage Angenieux Lens for Just $10 (via PetaPixel)

Story 3: Photographer Engages Hasselblad and Pictureline in Very Public Dispute on Social Media (via PetaPixel)
Related: Hasselblad Is Replacing the Water Damaged Camera That Went Viral (via PetaPixel)

Story 4: Photographer Refuses Magazine’s Request to Publish Images, So It Draws Them (via PetaPixel)

BONUS:


Macro Photography The Universe at Our Feet – 2nd Edition
Use this code for 20% from the publisher directly: 25SMA4

Don’s upcoming workshops in Macro Photography and Smartphone Macro Photography

Picks of the Week:

Don: 4DepthTM Stereo Attachment II – For Stereoscopic Stills and Video. Now with Macro!

Allan: Godox Studio Lighting, including these components:
Godox SK400II 400Ws Studio Flash Strobe
Godox QR-90T 90 cm Parabolic Quick Release Softbox Grid
Godox X3-C Camera Wireless Flash Trigger, E-TTLII 2.4GHz Wireless Flash Trigger with OLED Screen
Godox X1R-C 2.4GHz TTL Wireless Flash Controller Receiver For X1C Trigger

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About Author

Don Komarechka is the host of Photo Geek Weekly and Inside the Lens. From auroras to pollen, insects to infrared, much of Don’s photographic adventures reveal a deeper understanding of how the universe works. Exploring the world that we cannot see with our own eyes has been a common thread in Don’s career as a professional photographer.

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